CHALFORD BAND SUMMER CONCERT 2018
This year’s Summer Concert is on Saturday 7th July 2018 at 7:30 pm in the Subscription Rooms, Stroud.
Tickets are £12.50 each in the main hall (which includes food and drink).
Seating in the main hall is at tables of ten people. (We formulate a seating plan. Please let us know if there are others who you would like to share a table with and we will try to accommodate this if possible).
PLEASE NOTE – TICKETS WILL BE SOLD AS FOLLOWS:
The tickets tend to sell out very quickly! To make it fair we have, again, decided to allocate two tickets per family that has players in the band.
If you would like to claim your two tickets please confirm this with Andy Godwin by Friday 1st June 2018 and provide payment at the same time. Please make cheques payable to ‘Chalford Band’.
Tickets will then go on general release on Saturday 2nd June 2018 on a first come first served basis. (N.B. – Those people who have already had two tickets are welcome to apply for additional tickets on this date if needed).
N.B: If you have not requested and paid for your allocated tickets by Friday 1st June, we will assume you don’t need them and offer them for general sale.
You can see Andy at rehearsals or you can contact him as follows:
Home Tel: 01453 752774
Mobile: 07722 931929
The 2018 AGM will be held at the band room on 24th May @7:45pm
2. Minutes of 2017 AGM
3. Matters arising from those minutes
4. Chairman’s Report
5. Musical Director’s Report
6. Treasurer’s report
7. Subscriptions for 2018/2019
8. Election of Officers
9. Any other business
Chalford Youth Band were placed 3rd in the Junior section of the national brass band championships at Warwick Arts Centre. For the third year in a row they won the best instumentalist award!
Adjudicators: Martin Heartfield and Ben Richeton
Own-choice programme not exceeding 15 minutes playing time which must include at least one original piece of music composed for brass band and two verses of a hymn tune from the Red Hymn Book
1. Wardle Academy Junior Band (Lee Rigg) (Gold Award)
2. Beaumaris Band (Bethan Lowri) (Gold Award)
3. Chalford Youth Band (Steve Tubb) (Silver Award)
Fred Longworth High School (Helen Robinson)
Lions Junior Brass Band (Tom Hancock)
Dobcross Youth Band (Matt Hindle)
Elland Junior Band (Samantha Harrison)
Hawkley Hall High School (Steven Cavanagh)
Soundhouse Youth Brass Plymouth (Gary Thompson)
Macclesfield Junior Brass Band (Tim Grindey)
Stockport Schools Intermediate Brass Band (Tom Ridgley)
Tewit Youth Intermediate Band (Dave Dunn-Birch)
Best Instrumentalist: Flugel (Chalford Youth)
Confident opening, lots of detail and attention to the score! Well done M.D.
B – good dynamic contrast. Careful with B.row tuning.
D – More ff please – solo cornet semis not heard.
F – more ‘marc’ please.
Ending could be stronger to show fff contrast.
Good to open. Watch tuning in Sop!
Fabulous sound from the soloist!
You play very musically. I am sitting and enjoying this!
Careful with cornet tuning in ‘tutti’ sections.
G – more < to pause please.
Bravo young lady!! You have a great future!
Good tempo and style!
A – careful with unison tuning in cornets.
C – lots of energy!
Keep the bass line more marcato please.
D/S – lots of energy still and some great sounds.
V. enjoyable thank you.
V.1. Good balance + contrast – phrase ends are tidy.
V.2. – not as secure to open – but recovers to a controlled close
Good opening – well done B.row, careful not to rush.
D – well done Sop!
All soloists do well! Careful with rhythmical accuracy.
Lots of fun and energy to the end.
Overall a great programme, EXCELLENT Soloist. Well played + thank you.
Very effective fp dynamics! The first C not quite in tune but recovers swiftly.
B – middle + lower end great rhythm playing.
C – Lovely sop.
F – Running semiquavers work fantastically!
Great energy to start the programme!
Dramatic opening – Watch the tuning 2 bars before B.
B – Flugel horn. What a warm sound. Expressive playing and tuning is spot on!
E – Wow! ff offers wonderful contrast. Watch out for accidentals cornets.
Soloist – Take more time in the end. But overall one word: fantastic.
With no transition – complete change of character. Such positive vibes from this. Clapping enhances this! Dynamics mostly respected. Loved it.
This is just lovely. There is a real sense of one-ness in this. Tuning is great and every player follows the conductor’s indications in terms of dynamics and phrasing!
This is a little looser in terms of ensemble playing but the atmosphere is great.
D – Sop great, same with Solo Cornets at F then Trombones.
Fantastic performance, musically, and the ensemble playing was near faultless. Great programme too, well done band and MD.
A great weekend in Torquay for both bands, with the senior band qualifying for the national finals by coming second, and then the academy band demonstrating a brilliant team ethos, by electing to go on stage with an unregistered player, even though they knew that would mean disqualification.
Those setting off early on Friday got stuck in the some horrendous traffic, so Kelly thought she’d get the band some national exposure and phoned into Simon Mayo on BBC Radio 2.
The band assembled in St. Luke’s Church on Saturday afternoon, warming up by playing Eventide, which with the church’s resonance sent shivers up the spine. After a bit of work on the piece, the session ended with (fairly strict) adjudication on the limerick competition.
Drawn 10 out of 16 (Andy Powis wasn’t involved, so we got a reasonable draw!), we were on stage at 5:30pm. Coming off stage, the band were a bit unsure about the performance, but Steve was pleased: “a good performance, perhaps not played with as much conviction as in rehearsal”. Nevertheless the banding press were fairly receptive, with 4barsrest.com predicting second place, behind favourites Bournemouth.
Results were out around 8:15pm, and the WhatsApp group went unusually quiet for a few minutes after Andy Godwin posted “We came 2nd”, before it sank in and everybody chimed in.
Senior Band – First Section
Test Piece: Brass Metamorphosis (James Curnow)
Adjudicators: Brett Baker and Stan Lippeatt
1. Bournemouth Concert Brass (Howard Evans)*
2. Chalford (Steve Tubb)*
3. Forest of Dean Brass (Bryn James)
4. Michelmersh Silver (Melvin White)
5. SW Comms (Chris Spreadbury)
6. City of Bristol Brass (Paul McLaughlin)
7. A W Parker (Drybrook) (Joshua Ruck)
8. Roche Brass (David Hamilton)
9. Glastonbury Brass (Simon Jones)
10. Sherborne Town (Ian Lowes)
11. Otterbourne Brass (Melvin White)
12. Bodmin Town (John Maines)
13. Sidmouth Town (Adrian Harvey)
14. Andover Town (Steve Large)
15. Wotton-under-Edge & District (Ian Dickinson)
16. St Keverne (Gareth Churcher)
*Qualify for National Final
Good confident start.  Good clean work -> Good solo lines, just small blips -> Good tempo and gen clean playing. Good contrasting dynamics noted  Softer to start please, but yes clean. Good ending to a good opening section  Good mood change  Confident flugel  Horn obligato comes out well  Fine sop sound just small blips. Keep up the good work  Fine section work from the horn section. Euph ok but more musicality for me please  Good horn, timp loose to end!!  Steady tempo and working well. Some good clean playing through this section and good to end  Well balanced solo lines  Good horn playing, just the small blip  Good bass lines Sop/Euph  Good work noted  trom plays well also. We have had good contrasting dynamics in this performance  was a shade untidy!  Melodic line lost in the balance. Good build to a controlled ending.
A very good performance (small blips)
Good start. Contrasting and confident. Clear entries from cornets at   well done trombones  Exciting playing  Clean entries from euphs  was a little sloppy. Good dynamic contrasts  Effective playing. Good cornet balances at  Solo entries observe dynamics. Good stuff.  is not quite lined up but playing is musical. Soprano just gets there  convincing playing, a few tuning issues at   important lines come through the texture. Basses and euphs observe dynamics at   Exciting tempo, but precise playing and just the odd scrappy moment such as   Effective playing, a little scrappy through   This a little shakey to start  this could be more legato in the solo line  even more legato please  cornets play as one  nice trombone solo  Good balance  Shame this is a little scrappy. Approach to  goes well. Nice trombones in molto rit
Academy Section – Fourth Section
An early start for the academy band, with the section starting at 9am. Nevertheless, they got in an early rehearsal and were in the Riviera Centre listening to the early bands, before getting ready to play, drawn 6th.
Unfortunately, one of the players wasn’t registered, so although they knew they would be disqualified by playing, they played anyhow. As one of the players put it: “it’s a long story, but we were all in agreement about it, and we decided to play because we’re a family”
Steve later commented: “Very proud of academy on 2 counts. Firstly the performance, but secondly and more importantly the unanimous support for wanting the whole band to play knowing the consequences. You are all winners in my eyes. Thank you. PS we did beat 4 bands!”
Test Piece: World Tour (Rodney Newton)
Adjudicators: Brett Baker & John Winterflood
1. Gosport Solent Brass (Colin Garner)*
2. Pendeen Silver (Leonard Adams)*
3. Test Valley Brass (John Heritage)
4. Okehampton Excelsior Silver (Robert Julian)
5. Bideford Town Band (Mark Durham)
6. Nailsworth Silver (Steve Ruck)
7. Verwood Town (Emma Button)
8. Redruth Town (Keith Anderson)
9. Shanklin Town (IoW) (Malcolm Lewis)
10. Wincanton Silver (Steve Sykes)
11. Exeter Railway (Graham Eaton)
12. Tiverton Town (John Fitton)
13. Shaftesbury Town Silver (Martin Hill)
14. Torbay Brass (Gareth Davies)
15. Chalford Academy (Steve Tubb)** (placed 11 by adjudicators)
*Qualify for National Final
**Disqualified due to registration infringement. Played at contest with agreement of contest organisers
- Some mispitching in the opening statement [A] Intonation in the upper cornets/sop [B] Not quite balanced between parts [C] This rushes along and cornets not quite together
- Some mispitching in the semiquaver lines. [F] Good euphs. Tempo a little too fast for ragtime style. A steadier tempo would the players around the solo lines
- Well done Flugel, Euph. A little hesitant with the accompanying chord [K] Intonation Cornets. A good attempt at the phrasing through here. [L] through to end good.
- Opening good. Troms very good [M] Good band sound. [P] Intonation suffers though this passage and balance of the parts within the ensemble. It sounds a little tired to end
- Good start, top Gs are crashing in terms on tuning. Balance issues are occurring on approach to [B] The forte and ff could be bigger [C] feels a little rushed and therefore scrappy [D] we lose the middle of the band balance. Early could be bigger
- It is a little shakey to start. This also feels a little rushed and we get casualties as a result. Bar 132 well done cornets
- This starts a little nervy, but recovers. There are some tuning issues at [J] Well done percussion into [K] Tempo alters a lot but it’s not quite musical. Tuning issues occur to close
- Good start but forte could be bigger. Trombones not bad through to [M] Good work Euphs at [N] Tuning issues again occur at  Confident close but tuning issues are still evident.
Some good playing but everything seemed a little rushed therefore insecure.